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Huagudeng, the Flower Drum Lantern Folk Art
Jiang Dong Executive Director, Preparatory Office of the Asia-Pacific Intangible
Andong International Mask Dance Festival
Du-Hyun Kwon Secretary General, International Mask Arts & Culture Organization
Mudiyettu, Ritual Dance-Drama from Kerala
Molly Kaushal Associate Professor, Indira Gandhi National Centre for the
Dra-nyen: Bhutanese Traditional Musical Instrument
Gengop Karchung Information and Media Officer, National Library & Archives
Yakan Sonic Textures: A Heritage of Musical Instruments
Felipe M de Leon, Jr Chairman, NCCA – Intangible Heritage
Traditional Music of the Morin Khuur
Sonom-Ish Yundenbat Head of Intangible Cultural Heritage Protection Division, Centre
Pyeon-gyeong and Pyeonjong, Korean Traditional Bells and Chimes of Court Music
Inhwa So Senior Researcher, Deputy Director, Performance Division, National Gugak
Wayang Klithik, Reluctant to Live, but Not Willing to Die
Sumari Author, Wayang Encyclopedia Klithik form wayang puppetry gets
Ningyo Johruri Bunraku Puppet Theatre
Saito Hirotsugu Specialist for Cultural Properties, Traditional Culture Division, Cultural
Puppetry Traditions in Korea and Kkokdu Gaksi Noreum
Yong-ho Heo Research Professor, Institute of Honam Studies, Chonnam National
Water Puppetry: A Glance from Village to City
Le Thi Minh Ly Deputy Director of the Department Cultural
Necessity for Safeguarding Kyrgyz Art Symbols
Almajan Mambetova Director, Public Women’s Organisation ‘Kyrgyz Heritage’
Sharq Taronalari International Music Festival
Alisher Ikramov Secretary-General, National Commission of Uzbekistan for UNESCO
Circle Dances of the Miao Ethnic Group Thriving in China
Wu Yunming Former Professor of the Dance Research Institute, China
Garba, a Circle Dance of India
Shrinkhla Sahai Project Coordinator, Sahapedia-An Open Encyclopedia on Indian Culture
Yeowonmu, Women’s Circle Dance in Korea
Mi Sook Kim Professor, Ethnic Dance Department, Gyungsang University, Korea
Chennai, Where the Future Evolves in Two Months
Sudha Gopalakrishnan Executive Director, Sahapedia, India
Aboriginal and Indigenous Dance Art: Identity of Malaysian Natives
Noorariza Mohd Azahari Public Relations Office, Corporate Communication Division, National
Sherbozy: The Lion Dance among Tajiks
Dilshod Rahimov Head of the Department of Folklore, Rudaki Institute
Khon: Thai Mask Play
Surapone Virulrak Professor Emeritus, Chulalongkorn University
Strategy for Training Coming Generations of Fujian Puppetry Practitioners
Xuegang Tan Deputy Director, Protection Department, Fujian Provincial ICH Protection
The Koryo Saram Dance Troupes of Uzbekistan
Bongsu Jeon Project Consultant, ICHCAP The
A Community Safeguarding Its Living Heritage, Lkhon Khol
San Phalla Deputy Director, Books and Reading Department, Ministry
Folkland Initiatives for Safeguarding Tolpavakoothu Traditions
V. Jayarajan Chairman, Folkland International Centre for Folklore and Culture
Royal Court Dances of Bhutan
Ngawang Choden Assistant Registrar, National Land Commission—Thimphu
Royal Court Dances of Iran Throughout History: Flourished, Transformed, and Exiled
Nima Kiann Founder and Artistic Director, Les Ballets Persans
Jeongjae Dances of the Korean Royal Court
Young Suk Kim Artistic Director, Society for Research of Jeongja
Existence of the Art of Dance in Keraton Surakarta Hadiningrat, Central Java, Indonesia
Saptono, M. Hum Leader of Gamelan Musicians, Keraton Surakarta Hadiningrat
Promoting Awareness and Engagement with Traditional Malay Performing Arts
Low Ngai Yuen Director, Kakiseni Association Lynn Loo Head
Yohor, Part of a Collective Past, Present, and Future of the Buryat
Tserendorj Tsolmon ICH Specialist, Mongolian National Center for Cultural Heritage,
Gauging Musical Vitality and Implications for Safeguarding: The Case of Cambodian Chapei
Catherine Grant Senior Lecturer in Music Literature and Research,
Using Folk Traditions for Developing Integrated Traditions
Parakrama Niriella Artistic Director, Janakaraliya Cultural Foundation
Komuz Teaching Methods in Formal and Informal Systems in Kyrgyzstan
Gulnara Aitpaeva Director, Aigine Cultural Research Center Aiza Abdyrakhmanova
Strings of Revival
Ranjan Sen Director, banglanatak dot com
Ban Narasilp: Descendants of Khon Costume Traditions
Kittiporn Chaiboon Director, Research and Development Group, Department of Cultural
Masked Dance for Ramayana: Intangible Heritage without Borders
Montakarn Suvanatap Kittipaisalsilp UNESCO Bangkok
Manipuri Theatre in Bangladesh—In a Quest for Identity
Shuvashis Sinha Founder, Manipuri Theatre
Breaking the Glass Ceiling: One Somersault at a Time
Mousumi Chowdhury Chau Artist Grand
The Art of Masks and Makeup in Hat Boi
Anh Quan Student, Ho Chi Minh City University of Culture,
Traditional Dance and Artificial Intelligence
Kim Mi-sook Professor of Ethnic Dance, Gyeongsang National University
COVID-19 and Folk Music
Madhura Dutta banglanatak dot com
Bongsan Talchum as a Social Satirical Comedys
Jeon Kyung Wook Professor of Korean Language Education, Korea
Ga:Pyakhaan/ Asthamatrika Naach: A Sacred Mask Dance of Eight Mother Goddesses
Suraj Shakya Artist, Purna and Sons Handicraft in Nepal